Kelly Glyptis, a lyric soprano currently based in London, England on a Tier 1 Global Talent Visa, performs both opera and musical theater regularly. She was most recently seen as Countess Almaviva in Shreveport Opera’s The Marriage of Figaro and had the opportunity to create the role of Madeleine in Surrey Opera’s world premiere Madeleine and Meesha in Her Day Opera’s Her Day in London and Coventry, England. Miss Glyptis has been seen as Aldonza in Opera Saratoga’s Man of La Mancha where she also previously had the honor to perform in the World Premier of Vinkensport, or the Finch Opera as Sir Elton John’s Trainer as well as The Foreign Woman/Magda Sorel Cover (The Consul). Miss Glyptis has covered the title role in Alcina with Fargo-Moorhead Opera, performed Fiordiligi (Cosi fan tutte) with the Shreveport Opera, Cupid (Orpheus in the Underworld) and Mimi cover (La boheme) at Virginia Opera, Berta (Il barbiere di Siviglia)with The Atlanta Opera, and Suor Angelica (Suor Angelica) with the Virginia ARTfactory. She has also been seen in concert with OperaDelaware, Baltimore Concert Opera, Brooklyn Metro Chamber Orchestra, George Mason University, and the Manassas Chorale. 

Her Musical Theater credits include the First North American National Tour of Fiddler on the Roof as Fruma Sarah and Golde/Yente Cover, The Mother Abbess Cover (The Sound of Music) with the North American National Tour, Mary Poppins (Mary Poppins), The Witch (Into the Woods), Morticia (The Addams Family), Anita (West Side Story) with The Prizery Theatre, and has performed with Cardinal Stage, Gray Ghost Theater, Pied Piper Theatre, and Dominion Stage. 

Miss Glyptis has had the privilege to sing events and honors for Renée Fleming, Justice Ruth Bader-Ginsburg, and Pope Benedict XVI. She is a 2022 Gerda Lissner Foundation Semi Finalist and during the 20-21 season she was the Grand Prix Winner of the Music International Grand Prix, 1st place winner of the Odin International Music Competition, 1st place winner of the Canadian International Music Competition, Tri-Cities Opera Audience Prize, The Voice of New UK Musicals Audience Prize, and the John Alexander 3rd Place Winner. She was also a 2020/2021 Semi-Finalist for the Paris Opera, Partners for the Arts, and the UK Sing Out competitions and has been a previous winner of the Lorena Bessey Mangin Memorial Award at Shreveport Opera, Hellenic American Women’s Council Award, and Metropolitan Opera National Council Auditions Indiana District. 

Serina was born in London, where she trained at The Royal Ballet School Associates and Central School of Ballet Associates; before attending Elmhurst Ballet School in association with Birmingham Royal Ballet (2013-2018). During her training she performed in Beatrix Potter (Royal Ballet, 2009), Paquita (Bolshoi Ballet, 2010), The Secret Garden (‘Mrs Craven’, London Children’s Ballet, 2013) and The Sleeping Beauty (Birmingham Royal Ballet, 2018). Upon graduation, Serina joined the Vienna Festival Ballet company for four UK tours. She performed soloist roles such as Canary Fairy and Red Riding Hood (The Sleeping Beauty, 2020), Cygnet (Swan Lake, 2020), Chinese and Spanish Dancer (The Nutcracker, 2018, 2019) amongst various corps de ballet roles

Awards include: Commendation prize at the Cecchetti Classical Vocational Awards (2017) and semi-finalist at the RAD Genée International Ballet Competition (Lisbon, 2017).

Serina is delighted to be making her West End debut in Phantom of the Opera

Training: English National Ballet School and Identity School of Acting

Theatre Credits include: The Nutcracker (Birmingham Royal Ballet), Romeo and Juliet (Birmingham Royal Ballet), The Nutcracker (English National Ballet), Cinderella (Orlando Ballet), The Nutcracker (Orlando Ballet), Vampires Ball (Orlando Ballet), Johan Kobburg’s Romeo and Juliet (Polunin Ink), Cinderella in-the-round (English National Ballet), ‘Kenneth MacMillan’s’ Concerto and Gloria (Northern Ballet) and The Little Mermaid (Northern Ballet).

Short Films include: Oh It’s You, All Physco’s Eve, Glass House, Silenced

Training: Elmhurst Ballet School

Theatre includes: The Phantom of the Opera (UK Tour), The Phantom of the Opera (Det Ny Teater Copenhagen), Fiddler on the Roof (Det Ny Teater Copenhagen).

Repertoire includes: Fredrick Ashton, George Balanchine, Peter Wright, Christopher Wheeldon, John Cranko, Kenneth MacMillan, Paul Taylor, Rudolph Nureyev Michel Fokine, Ninette de Valois, Agnes de Mille and Anthony Tudor.

Notable performances include: Joyce (New York), Fall for Dance at City Centre (New York), Jacobs Pillow (Massachusetts).

Previous companies include: Sarasota Ballet (USA), English National Ballet, National Dance Company Wales.

Training: Guildford School of Acting.

Credits whilst training include: Rita in Sweet Smell of Success, Sheryl Stoat in Wind In the Willows

Workshops include: Sarah Bennet in 1666 (ATG Workshop)

Other work: Featured Storyteller in Children of Eden (West End Does), Soloist in Roles We’ll Never Play Emerging Talent, Hanna Season 2 (Amazon Prime)

Eve is thrilled to be making her professional and West End debut. She’d like to thank her family and friends for their love and support.

Jasmine was born in Essex and trained locally before gaining a place at Central School of Ballet In London at 16. She trained here for three years and performed in the Ballet Central touring company and graduated with a BA Hons Degree.

After graduating she joined the Vienna Festival Ballet company, touring the UK for four seasons performing in classics such as Swan lake and The Nutcracker.
In 2020 she joined the UK tour production of The Phantom of the Opera & is delighted to join the London company which marks her West End debut.

Training: Arts Educational Schools London

Theatre credits include: Doctor & Escapologist in Matilda (West End); Munkustrap in Cats (South Korea and Taiwan Tour); Doctor/Escapologist/Understudy Mr Wormwood in Matilda (International Tour); Swing in School of Rock (International Tour); Ensemble/Understudy Tony Elliot in Billy Elliot (UK & Ireland tour); Parker in Lovebirds (Edinburgh Fringe Festival); Ensemble/Understudy Skip in Copacabana (UK Tour); Adam in The Apple Tree, directed by Brendan Matthew (Ye Olde Rose & Crown Theatre).

Other credits include: Dancer in Sanditon, Series 1 & 3 (ITV); Dancer in Gentleman Jack (BBC); Duane Allman in Autopsy: The Last Hours of Gregg Allman (ITV); Degsy in Floatin’ the Blue (Workshop, ATG/Playhouse Theatre, directed by Robert Lindsay)/

Andrew trained at the Royal Academy of Music, where he achieved his MA in Musical Theatre.

Theatre credits include: The Phantom of the Opera (UK & Ireland Tour), Les Miserables: The Staged Concert (Gielgud Theatre) & Les Miserables (Queens Theatre).

Recordings include: Soundtrack for Buñuel (Abbey Road Studios), voiceover for Jacopo in Out of My League (Netflix), voiceover for Riccardo in Invincible Thread (Netflix), ADR for Rocketman (2019)

Radio includes: Michael Ball Live at The Savoy (2019)

Film includes: Les Miserables: The Staged Concert.

Concerts include: This Is The Hour

Credits whilst training include: Arpad in She Loves Me and Tom in Hard Times.

Other work includes: Joe Public (Moscow Seasons Festival 2019), winners of the Audience Choice Award.